I'm a member of the Bee Team, which is a group of Etsy sellers who use encaustic in their art. We had a group gift exchange this year, and you can see the gift above that I received from Supria at Supria's Designs. It's a beautiful encaustic and collage painting titled Madame Butterfly.
Subdivision - encaustic and oil on panel, 12" x 12"
The Living Wood - altered book
F3, Languish - collage, oil pastel, solvent transfer, encaustic and oil on panel, two 12" x 12" panels
Also:
the view from the starting line
us at the starting line
lots and lots of people! over 25,000!
As you may know, October is National Breast Cancer Awareness Month. There are lots of ways that you can participate, contribute, and show your support.
I'm going to participate in the 2008 Komen Race for the Cure in Dallas (I keep typing Race for the Cute!) on October 18. If you would like to join the race, visit the Komen Dallas website. If you would like to support me in the race, visit my Race for the Cure page. If you would like to find a race in your area or find out more about breast cancer, visit the Komen website.
And then there's the Boobiethon. This is brilliant. Until October 7th, you can look at pictures of covered boobs and if you want to see them uncovered, you can donate money. The internet was invented for porn, might as well use it for good and not for evil, right? So, if you're an exhibitionist, you can submit your own photos. Or, if you're a voyeur, donate some money and see some boobies* for a good cause. *(this particular page is not safe for work, but the others are)Announcing a new competition to find a few local artists to produce original artwork for the new NYLO Hotel under construction in Las Colinas, Texas located at 1001 W Royal Lane, Irving, Texas 75039.OK, so, where to start?
The contest is open to everyone and particularly we hope to attract the interest of up and coming local artists and art student and faculty at local schools. The contest runs August 1, 2008- October 31, 2008.
Please submit a digital copy of your work along with the release form to Amanda Emmo at LasColinasArtContest@nylohotels.com by October 31, 2008.
After submittals, the NYLO judges (which shall consist of the NYLO executive team and perhaps one or two persons active in the local art community) will have an artist luncheon to meet the artists.
Prior to embarking on your work we urge you to please visit our website www.nylohotels.com and, if you have the chance drive by the site to get a feel for the setting. More details about what the hotel is looking for:
Guest Room Art Specifications:
1. One large or three smaller but related pieces of art on canvas (oil, acrylic or mixed media)
2. The pieces should involve the use of colors
3. Emotive Objective
• Loft living
• Relaxation
• Local Connection
• Romantic / Sexy
• Warm
• Western/Texas Lifestyle
4. The pieces will be displayed in each guestroom within an area of 7 feet in length x 3 ½ feet high above the sofa (we will have 200 total guestrooms).
5. Dimensions of each of the three pieces should be 24 inches long x 30 inches high (or thereabouts at the artists discretion) – or alternatively, one large piece of no less than 4 feet long x 30 inches high.
6. The winning pieces will be reproduced utilizing a gicleé process so that the original integrity of the artwork is still upheld and displayed in the guestrooms.
7. No artwork including nude subjects will be taken into consideration as winning pieces.
Corridor/Public Space Artwork Specifications
1. Photography
2. To be displayed on acrylic
3. Emotive objective
• Urban / Industrial City Scenes
• Loft Living
• Nightlife
• Partying/ Entertaining
• Energy
• People
• Living
• Western/Texas Lifestyle
• Lone Stars
• Ranches
Prizes
There will be three main winners in each of the two categories, guestroom and corridor. The cash prize breakdown is as follows*:
Guestroom: 1st place - $2,250
2nd place - $1,750
3rd place - $1,250
Corridor: 1st place - $1,500
2nd place - $1,000
3rd place - $750
There are also other considerable “perks” to winning such as:
• Media exposure
• An invitation to the art contest luncheon with members of the NYLO design and management team
• Artwork displayed on the hotel website with contact information for the artist
• Guests can purchase the artwork at a reasonable price determined by NYLO**
* Each contestant acknowledges that it is NYLO’s intent to ultimately use the winning artwork in each of its guestrooms, corridors and public space and therefore, each winning contestant shall agree to transfer all copyright and ownership rights with respect to such Artwork to NYLO in exchange for the cash prize awarded and shall execute all documents necessary to provide for such transfer of rights. NYLO may choose to purchase additional artwork outside of the predetermined prize values listed above.
** The art will be for sale to all our hotel guests/visitors and to people who visit our website. NYLO does not intend to profit on the sale of this artwork. Proceeds of an artwork sale will work as follows:
• 100% to NYLO until costs of the contest and acquisition are recouped
• Thereafter, 90% to the artists & 10% to a charity to be selected by NYLO
Entry & Release Form
NYLO Hotels- Drive Our Innovation through Your Passion for Art
Submit this form with your entry requirement materials to NYLO. If your artwork is selected as a “winning” piece, your entry will not be returned. Other entries will be returned by request only.
(Select all applicable entry(ies) that apply:)
o Guestroom Artwork
o Corridor Artwork
o Public Space Artwork
By signing this Entry & Release form, I acknowledge that I understand the competition criteria accompanying this form and agree to abide by them. I represent that the attached work qualifies for submission to this competition. “Authorized Parties” as used in this release means NYLO Hotels, LLC and its affiliates (“NYLO”), and any other persons, entities, or organizations that NYLO authorizes to carry out the rights or actions set forth herein. I hereby irrevocably give my consent to each of the Authorized Parties to directly or indirectly photograph, film, and /or videotape me and/or my artwork, and to quote and record statements made by me and to use, reproduce, modify, publicly display, distribute, sell, and/or create derivative works from any of the above (with or without my name) and to identify me by name and/or with school and employment information, in all forms of media now known or later developed, including, without limitation, on the Internet, for any editorial, promotional, advertising, trade, commercial, or other purpose whatsoever, in perpetuity and for no royalties or other remuneration throughout the world. I understand that the Authorized Parties shall not be responsible for unauthorized duplications, reproductions, use or modifications by third parties on the Internet or otherwise. I hereby release the Authorized Parties and their respective successors and assignees from any and all claims and/or damages that may arise regarding the dissemination, use, reproduction, display, distribution, and/or sale of my image, images of my artwork, any information related to my artwork, or statements made by or related to
me as consented to herein, including any claims of defamation, invasion of privacy, infringement of moral rights, rights of publicity, trade dress or copyright. By signing this form, I also certify that any work submitted is original and mine alone and that I have the right to grant the permissions set forth herein. I hereby agree that if my artwork is a “winning” piece, I hereby assign all right, title and copyright in and to the artwork to NYLO and agree to execute any and all additional documents requested by any of the Authorized Parties in order to fully transfer all copyright and ownership rights in the artwork to NYLO or its designee.
I have read and understand this form.
** The art will be for sale to all our hotel guests/visitors and to people who visit our website. NYLO does not intend to profit on the sale of this artwork. Proceeds of an artwork sale will work as follows:• 100% to NYLO until costs of the contest and acquisition are recoupedThis is what gets me: "...until costs of the contest and acquisition are recouped." And when will that be, exactly? And they're setting the pricing. And what if the charity that they select is something that you're morally opposed to?
• Thereafter, 90% to the artists & 10% to a charity to be selected by NYLO
When I do work for a hotel, they first pay for the originals, and they pay a royalty ranging from $3 - 5 per print for room art. For public spaces, I am paid for every original I produce (usually by commission). I NEVER convey a copyright! The reproduction rights are always mine, and that's a standard not only in the hotel business but in all art business.She also had a few more choice words, but I'll leave that to your imagination.
Safe With Me, collage, colored pencil, and encaustic on panel
beautiful paper that I bought at New York Central art supply
Altered book.
One of the embroidery books.
Laura, hard at work in the lower studio...
Above is a book that I'm working on. I'm doing embroidery on mulberry paper, making small accordion books, and I plan to make a box to put them in.
View of the back of the house at Soaring Gardens.
The Studio at Soaring Gardens
Cymbeline, performed "progressively" in Central Park by the New York Classical Theatre.
I think this was the only piece I saw by Robert Rauschenberg. He's one of my favorites, so I was a tad disappointed that they didn't have more.
I just had to take a picture of Damien Hurst's shark, mainly because there was a "No Photography" sign right next to it.
Detail view of Tara Donovan's amazing installation of mylar tape. She does cool things with straws, styrofoam cups, etc. Seeing something mundane and disposable arranged on such a large scale is quite impressive.
Jasper Johns' encaustic White Flag is pretty textural and amazing in person.
This is a detail of a large encaustic piece by Martin Kline. Very textural and dimensional.
Another encaustic piece, this one by Victor Brauner.
The roof garden featured some large metal sculptures by Jeff Koons.
After the Met, I rode the subway to Battery Park and met an online friend at the Battery Marine Building to see David Byrne's "Playing the Building" installation. The building is going to be remodeled soon and he's turned the empty large space inside into a musical instrument.
There's an organ in the center that you can play, and all the wires connected to the organ control motors on the rafters, compressed air blown into pipes, and hammers on radiators and pillars.
Above is an example of one of the pipes with air being blown into it.
It was really amazing. We stood in line and played a duet that was pretty awful, I'm sure, but it was really fun. There were a few people that were able to play some semblance of music. I felt really fortunate to be able to see it and interact with it.
Then we went to Brooklyn to meet up with another online friend. He took us down to the foot of the Brooklyn Bridge to see the Telectroscope, a viewer that allows you to see through this newly discovered tunnel to London that uses elaborate mirrors or something.
This is the viewer - you look through a large window and you can see a screen with the people in London, who are standing in front of a bridge in London (the Tower Bridge?).
Here's Chuck attempting to engage the Londoners in a game of rock-paper-scissors, or roshambo, as they call it. There was a bit of a lag, so it didn't work so well. The woman on the left was talking on the phone to someone in London. Adam, the scientist, was skeptical, and suspected that the people were not even in London, much less at the end of a tunnel.
The blur that is Joanne Mattera...
Gwen Plunkett and Kate Miller
What is the best piece of advice that you could give to an emerging artist?
That's easy. For most artists, it would be: Get your art out there! Be so in love with your art that you can't wait to get out of bed and share it with people.
Don't wait for opportunity to knock on your door. Make sure more and more people are seeing your work and that you're not hoarding it for the perfect occasion.
Yes, you should enter juried shows, but don't stick to the safe ones. Go beyond your usual circle and introduce your art to new audiences. Subscribe to Art Calendar or an online service like ArtDeadlines.com or ArtDeadlinesList.com so you can keep up with the call for entries.
I would also caution emerging artists not to write off non-traditional venues. Sure, a local restaurant might not be as prestigious as a gallery in a big city, but what good is your art doing you while you sit on it and wait for that gallery? You never know what might come of hanging your art in a restaurant or doctor's office or bank lobby.
This brings me to something else. Although it's important to get your work out there as much as you can, it's equally important to know what you're getting into. That means doing your homework, meeting face-to-face with individuals, and that you need something in writing for most venues. You don't need to hang your art at every restaurant. You need to hang your art at those venues that will treat it with respect and treat you as the professional you are. If you don't know what you're getting into--if you don't know the right questions to ask--you can't expect others to cover all of the bases.
Bottom line: Get your art out of the studio and into venues where more people can see it.
Interested in winning a free copy of I'd Rather Be in the Studio! The Artist's No-Excuse Guide to Self-Promotion? Visit this site, read the instructions, and enter. Your odds are good as she's giving away a free copy on most of the blog tour stops. You can increase your odds by visiting the other blog tour stops and entering on those sites as well.
I'm very excited to announce that I've been offered a residency at the Ora Lerman Charitable Trust Artist's Residency at Soaring Gardens in Pennsylvania this summer!
Deanna Wood - Palimpsest: Secrets Revealed, photocopies, colored pencil, Canson paper, staples, and wax
Deanna Wood - Bicycle Andante, inkjet prints, vinyl, metal tape, reflector
Deanna Wood - Desk Drawing, color copies, spiral binding
Alyson Stanfield speaking to artists at my studio