and now for something completely different: science


today´s topic: black holes

click here and here
(via
beertjes weblog)
;

peter de boer



click here (via artbbq)
;

showtime: happy famous artists at lineart



click here for lineart
and
here for annie gentils gallery
and
here for (unfinished) hfa website
;

showtime: nick ervinck in amsterdam



click here for brakke grond and here for lineart
and here for be-part and here for de inventie
and
here for nick ervinck himself
;

oded ezer: the typosperma project



click here and more pics here
;

eric doeringer: bootlegs of contemporary artworks



click here and here for interview (via hinke suds and soda)
;

showtime: graham hudson


zingerpresents has great pleasure in announcing
its inaugural exhibition in its new gallery space in Amsterdam
;

Thankful.


I'm feeling reflective this Thanksgiving - I know I complain about a lot of things, but I know that I'm very lucky and I'm thankful for:

Sam - he makes me laugh every day and makes me realize what's important.

Family - I know they would do anything for me.

Friends - who have supported me and encouraged me and listened to me and laughed at my stupid jokes.

Health - something we all take for granted.

Art - it's allowed me to meet so many talented and creative and nice people.

I'm counting my blessings. I hope you have a wonderful and safe Thanksgiving!

art and music: rachel agnew & well


click here and listen here
;

banksy: the punking paris hilton



watch video
here and more banksy videos here
and
click here for banksy web (via oskar lewis)
;

showtime: gracia khouw



click here
;

charlotte & wolfram (cinoir)



click here and here (via oskar lewis)
;

showtime: truc troc



click here
;

showtime: open ateliers rijksakademie amsterdam


click here
;

showtime: herman nitsch & orgies mysteries theatre


click here and here
;

performance: jim rose circus


click here and here and here
and
here and here
;

showtime: silvia b & arthur kleinjan


click here
and
here and here for silvia b
and
here for arthur kleinjan
;

graphic design: babycham, the happiest drink in the world



click here and here
and here for the prozac stop-gap coctail
;

katherin mcinnis




watch video here and click here for directors lounge
;

sonic fabric



click here
;

robert gligorov


click here and here
;

slavica matijasevic



click here
;

happy famous artists thnx wittgenstein family for visiting our show at art cologne



click here and here for annie gentils gallery
(picture: who the fuck is wittgenstein by
happy famous artists)
;

and now for something completely different: science



today´s topic: noam chomsky

click here and here
ali g interviews noam chomsky here
picture: tractatus logico philosophicus (embroidery on canvas)
by happy famous artists
;

ali g: deleted borat scenes leaked online


watch deleted scenes here and the best of borat here
more ali g
here and here
;

michael leavitt: art army action figures


click here (via eyebeam)
;

showtime: stephan balleux



click here and here
;

showtime: ron van der ende



click here and here
;

showtime: fred michiels


click picture to enlarge
and
click here and here
;

lydia schouten


click here (via placebokatz)
;

rejecteffect & geoffrey de beer


click here and here
;

rejecteffect & lieven segers


click here and here
;

showtime: blue noses



click here (check kitchen suprematism) and here
(via placebokatz)

happy famous artist at art cologne



click here and here and here
;

magazines: urbanmag



picture: happy famous artists-lebensborn revisited
click here and here (thnx sam steverlinck) and here
;

showtime: quasar noise lab



click picture to enlarge and click here and here

Alternative exhibition spaces

Most artists strive for commercial acceptance and success. There are several paths to achieving those (often elusive) goals, commercial galleries being one of them. But if you’re having difficulty breaking into a commercial gallery or if you feel you might not be ready for one yet, there are many alternative spaces that you may want to consider.

I have to admit that I live in a town with two universities and a thriving art scene, so you can hardly go anywhere around here without seeing artwork from local artists and art students. But I’m sure you can find similar venues in your town.

I'm not going to cover rental galleries, vanity galleries, and community art centers. I'm going to focus on free spaces that might not currently exhibit art.

Some of these alternative spaces include:
Libraries
Cafes/restaurants
Coffee shops
Wine shops
Hair salons/spas
Fitness clubs/dojos
Dance studios
Record stores
Bank lobbies
Churches

Basically, any wall is a potential exhibition space.

Do some research. Visit different businesses in your town and notice if they have artwork hanging in their space. If they have changing exhibits, ask to speak to the person in charge of the artwork. Ask him or her about submission guidelines – would they like to see slides or a CD, view your website, or see actual work?

Carry a packet of information (or brochure or business card or CD) around with you to leave behind if the opportunity arises.

Approach businesses or spaces that relate to your work.
If you paint floral still lifes, you might approach a flower shop, garden shop, or a botanical garden. Figurative work might lend itself to a day spa. Landscapes from your trip to Italy would look great in that little Italian restaurant. Asian-inspired work might appeal to the owners of a dojo or karate school. Photographs of dancers in a dance studio. Watercolors of historic missions in your local Catholic church. You get the idea…

Some businesses that currently exhibit artwork from local artists might also already do receptions. If they don’t, you might brainstorm about how to do your own reception. They might be open to live music, jugglers, dancers, etc. Try to find something that would be mutually beneficial to both of you – getting your work seen and bringing in customers to the restaurant or shop.

Unused and empty retail spaces
Consider approaching the owner of a vacant space that would lend itself to your work. Maybe there’s an empty store on your town square that you could borrow or rent fairly cheaply for a couple of weeks. You would need to consider how to staff the space – posting specific gallery hours and having someone work as a gallery sitter.

Houses
A couple of years ago I went to a show at a gallery space that was actually a house. A couple of art students were renting a house and realized that they had a room that they weren’t using. They emptied out that room as well as their living room. Then they invited artists to have short (usually one or two-day) shows. They also knew music students and invited them to provide music for the reception/parties.

Things to consider
Trust your instincts.
If a restaurant owner seems shady or untrustworthy, tell them thanks anyway. Work out the details of sales – if they handle sales then usually they will take a commission. If they don’t want to deal with sales, they might have interested patrons contact you directly.

Find out what the venue will provide.
Some restaurants or shops might already have receptions and PR in place. You can just hang your show and show up for the reception. But others might leave that all up to you. If so, then you'll need to decide how you want to market the show. Consider writing a press release and sending out postcards to promote the show.

Be sure to have contact info available during your show.
Frame and hang an artist’s statement. Leave a stack of business cards or brochures.

It may be a great opportunity to show, but not sell.
If you look at it as a way to show your work to people who wouldn’t normally see it, then you’ll have a good experience. If you expect to sell every piece, then you might be disappointed.

Strength in numbers.
Enlist a group of artists to have a show with you. Find artists who do work in a similar theme, similar format, similar medium, etc. Having a group and assigning tasks helps to alleviate the work load associated with mounting a show.

What are some other alternative spaces that you’ve exhibited in? Were they successful? What did you do to make them successful?
 
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