Showing posts with label FAQs: RETREATS. Show all posts
Showing posts with label FAQs: RETREATS. Show all posts

WRITING THE LAND RETREAT AT RAGDALE FOUNDATION!

Dear Readers, I don't usually post many announcements about writing and art retreats, mostly because I try to focus on competitive international residencies (particularly ones that offer fellowships), etc. However, this retreat takes place AT a residency site that is very close to my heart: Ragdale. I kind of grew up there as an artist and it is the place where I landed my first residency as a visual artist. Therefore, I would like to support their other activities, including this writing retreat coming up. See info below from Ragdale! Cheers, Mirabee

The annual StoryStudio Chicago Writers Retreat will feature a full weekend of writing, classes, socializing, and communing with nature at the famous Ragdale Foundation in Lake Forest, Illinois. Join us July 16-18 for this all-inclusive writing retreat in a special and spectacular setting.

Class sessions will focus on honing our craft and getting deeper into our characters—and our stories. Our theme this year, “Writing the Land,” will take advantage of Ragdale’s five acres of beauty. We’ll use the prairies and walking paths to find inspiration in nature, not to mention the calm and open mind—some of the best tools a writer can hope for. The history of Ragdale and the spirit of so many writers who have come before us are sure to inspire you.

There are overnight accommodations for up to 11 people and room for 9 “daytrippers.” All meals and materials will be provided. You just need to bring your notebook or laptop and a hungry imagination.

The Retreat Fee Includes:
  • All writing sessions and classes
  • Optional peer review
  • Friday dinner
  • Saturday breakfast, lunch and dinner
  • Sunday breakfast and lunch
  • Access to Ragdale and its grounds
  • Surprise Welcome bag
  • Friday-Sunday activities
  • Session materials
  • Energizing walks through the prairie
Visit us at www.storystudiochicago.com or call us at 773.477.7710 with any questions.

Date/Time
: Friday, July 16 - Sunday, July 18

Price: Overnight: $595.00 (StoryStudio Members: $575.00)
Day-tripper: $295.00 (StoryStudio Members: $285.00)

For more info, go to: http://www.storystudiochicago.com/courses/writers_retreat_at_ragdale.php

INTERVIEW WITH WRITER, ACTIVIST & YOGA PRACTITIONER MICHAEL MCCOLLY

Today I am delighted to be posting an interview I recently did with Chicago writer, activist and yoga practitioner, Michael McColly. His writing has appeared in the New York Times, Chicago Tribune, Ascent, The Sun and other journals. His last book, The After-Death Room: Journey Into Spiritual Activism (published by Soft Skull Press), about his journey throughout Africa and Asia in order to come to terms with the global AIDS epidemic was a Lambda Award winner for Spiritual Writing in 2007. Michael also leads international writing and yoga retreats and teaches in the Graduate Program at Northwestern University in Evanston, Illinois and Columbia College. See more of his work at: www.michaelmccolly.com and his blog on creativity and yoga: www.michaelmccolly.vox.com



Michael, thanks so much for joining us today. We’ve known each other such long time, it’s hard to believe. I think we first met in the 80s at the Field Museum of Natural History where we both worked in education. Since then, you have been on quite a journey! You wear so many hats: writer, yoga practitioner, public speaker, writing professor and activist. How do you keep all those balls in the air and still maintain balance in your life?




I have grown two more hands. Never thought I could but you'd be surprised how magical yoga can be. All kidding aside, I do have a lot of energy, which is in large part because I've learned to pay close attention to my body. I do practice yoga regularly, even if just for half an hour. I am writing now about walking and hiking and it's affects on the mind and body, so I walk a lot too. I live with
HIV, and I’ve learned that caring for my health has to come first. But more than that, I need a break from my mind, from the patterns of worry and the endless tasks that we are saddled with, exercise and especially being out of doors, focusing and feeling my feet on the ground or swimming or walking in nature, is extremely important to reset my brain. As writers, we are unnecessarily chained to this machine, and it ain’t good.



I try to follow your blog, Yoga and Creativity: Practicing the Art of Living, whenever I can. You have written so many intriguing pieces on topics such as neuroscience and the imagination, walking and mindfulness, memory and nature, yoga and the creative process and so on. It seems that your practice of yoga intensely informs just about everything in your life. Would you mind talking a little about the connection between yoga and your own writing?



Look, I live with a chronic disease with no health insurance and had struggled with depression and addiction for many years before I was diagnosed. I see yoga as just a technique to keep me alive and awake. But, after practicing for a long time and teaching yoga as well, you begin to realize that your mind and body need focused attention and objective care. And you can get this in many ways. People in many of the arts discover that their entire body begins to serve as an antennae and as a vessel for expression. Many poets seem to understand this--Whitman, Hughes, Neruda, Lorca. "I sing the body electric." This isn't a cute phrase. It's a fact. But, you have to learn how to read it so as to translate it for others. And this takes some kind of discipline--so systematic way to learn to listen and feel and trust.



Some of us are lucky and grow up in worlds full of sensualists or a natural world that teaches us. I need a discipline like yoga to help me retrain my mind so that I can learn to explore sensation not as a means to and end—to be a better writer or better lover or something—but to simply be more alive. When you listen and feel your body, particularly in meditation, you become dumbfounded by where it begins to take you: into emotion, into your the workings of your imagination, into the far reaches of your unconscious mind, and most amazingly into the world.



Perception is a two way street. "Every act of perception is an act of creativity." (My favorite quote from Octavio Paz--but he got it from Merleau Ponty, the great French philosopher.) Cezanne spent years trying to paint Mountains. That's exactly what I mean. He used contemplation to help him see. The Zen poets and artists knew this a long time ago. And of course the first artists were those responsible for creating ritual, maskmakers, dancers, musicians, icon makers, (the word for image comes from the latin imagio--"a ritual substitute") or the singers or chanters who all knew that the mind and body needed to be entrained in order to be able to see with big eyes and feel with the big heart. Whew.



Thanks for that really thoughtful answer Michael. I particularly love that quote by Octavio Paz via Ponty. Anyway, some of my readers have been curious about retreats (as opposed to artist residencies) so I wanted to ask you about the yoga and writing retreats you do. One of the places you take participants to in Guatemala looks like paradise! Can you tell us about the yoga and writing retreats you lead?



I do workshops all the time, fusing art-making, creative writing, and yoga. It’s nothing special. You do some breathing, you lie down, you imagine, you record, you do some poses, you focus, you take a hike, you draw some things. It’s play and you feel good. Your artistic sensibilities come alive. I love doing retreats in Guatemala because I love to hike and swim and kayak around Lake Atitlan. I think people who participate in these retreats enjoy the chance to be in their bodies, and appreciate the chance to rest, eat well, swim, see beautiful flowers and be around the Guatemalan people. My retreats are low-key. No computers.



Wow, I'd love to go to one of your retreats some time! So Michael, I know that you have attended different artist residencies before, like Blue Mountain Center in the Aiderondacks, MacDowell Colony and others. What do you feel is the main difference between a residency at an art colony and a retreat, in particular, one of your retreats? What are the benefits of both?



Oh, there's nothing like a residency. I wrote my book at several residencies: Ragdale, Yaddo, MacDowell, Blue Mountain. I can't thank them enough. it's the chance to breathe and just be with your work, take naps, walk, read things that you’ve never read, listen to the intelligent and wiser artists who have lived through many struggles and learn from them. They may have a few egos around but you’ll always find good souls. I met people that had an enormous affect on my work, who are still dear friends. Community building. We need it desperately as writers.



I read your amazing memoir, The After-Death Room: Journey into Spiritual Activism about your personal and political sojourn throughout Africa and Asia. Do you have a new book brewing in the back of your mind these days? Or are you taking some time to regroup, meditate and work on some shorter pieces of work?



There is a line from Thoreau’s Walden that seems to pop up everywhere once I read it. It says something like this: “The surface of the earth is soft and impressible by the feet of men, and so with the paths which the mind travels.” For the past ten years I’ve been hiking in the deserts and mountains of the southwest, traveling to find some refuge from these very paths Thoreau speaks about. Neuroscience has unveiled promising discoveries to help us understand the how the brain functions but it has placed a mirror before us and made us see just how dangerous it is to remain stubbornly ignorant to what we are doing to the health of our bodies by neglecting the health of the planet.



Perhaps I’m selfish but all I want to do these days is hike and walk even if it’s in the city where I live in Chicago. It’s as if my mind needs the comfort of the feeling of my feet in motion and in touch with the world. I’m trying to understand why we have become so removed from the earth in such a short time and what effect it is having on us. I’m walking and writing and walking more, trying to feel my feet and listen to what comes from paying attention to what I’ve felt I’ve lost: my relationship to the land. And I’ve been writing of course—about the great hikes of my life, of my many sojourns in the desert, of my hikes along the Appalachian Trail, in the savannas of Africa in the Peace Corps, and now just the streets and the strangely beautiful and sorrowful industrial wastelands of Chicago and Northern Indiana where ironically the study of ecology began. How can one afford not to write about our relationship with the earth now?



Michael, thank you so much for your insightful responses to my questions. I really appreciate your thoughtfulness and candor. I’ve heard such great things about your retreats and I can see why. I look forward to taking one some day and also to seeing you back in Sweet Home Chicago! Thanks so much.



You can find out more about Michael McColly, his writing and the retreats he offers by visiting www.michaelmccolly.com or his blog at
www.michaelmccolly.vox.com. For more information on his latest book, The After-Death Room: Journey into Spiritual Activism, click on the Amazon link.











FAQs: RESIDENCIES, ARTIST COLONIES, RETREATS AND AIRs

Here are some FAQs for those who want to learn more about residencies, artist colonies, retreats and AIRs (Artist-in-Residence Programs):

Q: What's the difference between a residency, a retreat, an artists' colony and an AIR (Artist-in-Residence)?

A: Residencies: When I talk about residencies on my blog, I'm generally referring to artists' foundations/institutions that offer a place to live and work for a set period of time, places such as Yaddo, Ragdale, MacDowell and the like. These are also known as "artist colonies" but I find that this term is used less and less as the years go by. Most places like the ones I just mentioned offer artists, writers, composers etc. respite from their normal routine. Often (but not always) there is no fee and the length of time one can stay varies (from two weeks to up to two months, but some are longer.) Usually food is provided and sometimes the artist is even cooked for! There is studio space provided for visual artists and other facilities for composers and dancers, if the residency can provide pianos, recording equipment, etc. Basically, a residency or colony offers much needed solitude and time.

Retreats: Although some residencies advertise their place as a 'retreat' away from the artist's normal life, retreats are something else. One example of a retreat would be my friend Patricia Lee Lewis' Patchwork Farm Retreat where writers can take workshops, or travel together and write while studying yoga, etc. AROHO's (A Room of Her Own Foundation) is another example. It's a summer retreat in New Mexico where women writers get together to attend workshops, to network, to write, to rest and replenish their creative juices. VERY DIFFERENT than going to a residency at a place like MacDowell Colony, where the writer works all day in his/her room and only join others for dinner and the occasional (and optional) evening reading or studio visit. Retreats also cost money, while many residencies, if you get accepted, are free or if they aren't free, they often offer need-based financial aid. And retreats tend not to be competitive and operate on a first-come, first-serve basis. That's not to say that they aren't valuable! Many people get a lot out of them and I recommend them highly for those who are seeking a therapeutic and creative experience.

Artist-in-Residence Programs are usually hosted by an institution (college, foundation, etc.) and generally last longer than a normal "residency" at an artist colony. Some last for a semester or a year and very often, the artist is given a stipend. They often involve involvement with the community, either academic community or the community at large. They all vary but most AIRs require the artist to participate by giving workshops or readings, i.e. some event for the public.

Q: How long can I stay at a residency?

A: Most residencies at artist colonies are from two weeks to two months, although some are longer (but not much longer). There are ones that offer time and space to artists, writers, etc. for longer periods, such as the Fine Arts Work Center in Provincetown, Massachusetts, which last seven months I think. There is the Artist-in-Residence Program in Roswell, New Mexico (which I posted about here.) and that program is for one entire year. You get a house and stipend and can even have your family with you! (That is, IF you want them!). There are also ones in Europe that I have come across that offer places to stay for extended periods of time. For more information on the distinction between residencies, retreats, etc., go here (Washington Art) for more info.

Q: Where is the best place to look for residencies?

A: On Mira's List of course! Must you ask? Go to my labels on the right side bar, scroll down and click on "residencies." And for other sites to visit, there are none better than these (they are also listed on my sidebar in the links section, further down): Artist Communities, Res Artis, and Trans Artists.

Q: Can I apply for a Fulbright Grant to help fund a residency overseas?

A: Nope. Absolutely not. For more on Fulbright Grants, click here.

Q: I'm a very emerging writer and haven't had anything published yet. Can I still apply for a residency at an artist colony?

A: In most cases, you do have to have at least some publishing history, even if it is only a couple stories or essays published in a literary journal. However, it really depends on which place you are applying to. Read the eligibility requirements. Some places, like Yaddo, are very hard to get into and I wouldn't bother applying unless you have published. Other places are more open to emerging writers and artists. You just have to check on the website and if you can't find your answer, email the place to find out.

Q: I'm an emerging artist and haven't had any exhibitions yet. Can I still apply for a residency at an artist colony?

A: Please see the above answer because the same applies to you.

Q: I just got accepted to a residency overseas but don't have enough money to pay for all my travel expenses. Where can I look for funding?

A: This is probably my most frequently asked question. Finding funding for travel is the toughest thing to find. Here are a few suggestions: * Go to the links section on my side bar and check out those sites. * go to Trans Artists and click on their "funding" link to see what you can find. * Google the embassy or cultural council sites of the country you want to visit. * Contact the residency and ask them for ideas. * See if the country you want to stay in has a partnership with another country. For example, Japan and America have a special cultural relationship. The Japan-US Friendship Commission helps individual artists fund their international projects. The American-Scandinavian Foundation also offers funding for projects in Scandinavia. You MUST apply for these grants way in advance! * Go to university grant databases. Leave no stone unturned as this is the hardest thing to fund!

Q: Are international artists allowed to apply to U.S. residencies?

A: In most cases, yes! But always double-check with the institution. And if it is a residency or AIR that involves a long stay, i.e. longer than the normal tourist visa allotment (usually three months), you have to check with the US Citizenship and Immigration Services (USCIS) to see what the visa requirements are.

Q: Can my family stay with me if I get a residency?

A: If it is at a U.S. artist colony (residency), most likely no. Although the one I mentioned above, the program in Roswell, New Mexico, allows families. Some European residencies offer accommodations for families and some let families stay for part of the time. Some do not. You just have to check on the institution's website for their rules.

Q: I want to go to an artist colony with another artist so we can work for a month on our artistic collaboration. What should I do?

A: First check if the place you want to go to offers what you are looking for. Most places state that each artist must apply separately, even if they are collaborating on a project. But then you run the risk of only one of you getting in. When I come across a residency that is specifically looking for collaborative applicants, I label it, so always check my sidebar labels. I have noticed a trend of there being more and more collaborative residencies, which is great!

Q: Are artist colonies/residencies accessible for disabled artists?

A: Some are and some aren't. And most often than not, they will tell you right on their website. If you have special needs, never hesitate to write the institution and ask. Some places have really done some great things the past few years as far as accessibility goes. The Millay Colony in Austerlitz, New York, has an entire building completely designed for disabled artists, writers, etc. A couple years ago, I stayed in Ragdale's accessible artist studio and it was wonderful!

Q: How can I tell if the residency I want to apply for has an artist studio with natural light? That's really important to my work!

A: Why don't you write an email to them and ask them? And often, residency websites describe studios, performance spaces, housing, etc. in detail.

Q: How much in advance should I apply for a residency?

A: Most places have deadlines a couple times a year and are on a seasonal cycle. Some have open deadlines and you can apply at anytime. My rule of thumb is this: if you want to apply for a grant or a residency or fellowship, plan A YEAR IN ADVANCE. At the very least, plan six months before the time you want to go away.

Q: Can I bring my dog to a residency?

A: Don't I wish! I don't even bother applying to places anymore because I can't take little Sadie with me. Seems like a dumb rule, right? Oh well. Such is life. If anyone comes across a dog-friendly residency, PLEASE LET ME KNOW! Of course, you can bring a seeing-eye/companion dog in some places (you must double-check though). But you can't bring Fido just for company I'm sorry to say. I did run across one place in upstate NY that is a short-term sound artist residency and they say you can bring dogs. I'll have to search for that one....can't find it right now.

Q: Will you help me find a residency and help me find money to fund it?

A: While that would be a dream come true for any artist, it's just not going to happen, sorry to say. I do a lot of research and I do it all for free. My blog is specifically designed to help people help themselves. I want artists to be resourceful, read my articles, and use the labels and links on the sidebar to find what they need.

Q: Can I send you my residency application to look at?
A: You are joking, right?
 
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